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St Andrew’s Church, Normanby, North Yorkshire, England
 
The Heritage Trust is fortunate to have our HQ in a little village in North Yorkshire, England that boasts a thriving pub and a pretty little Norman church. This morning we saw an elderly gentleman take some faltering steps towards the church. He’s a frequent visitor to the village and makes a daily pilgrimage to the church when no-one else is there. He went there this morning before the Easter Service. Why does he go alone you may ask. It’s because the church here is Church of England and he is a Roman Catholic. But he does go, daily when visiting, unlike the majority of those in the village and surrounding area. As the church bells rang out this morning, calling its ever dwindling congregation to attend, the words of Simon Jenkins came to mind; “ I don’t go to church, but I do go to churches.”
 
There are some 16,000 churches in England, many of them architectural gems and places of sanctity and peace. The majority however are poorly attended. The church here has two services a month, with a regular congregation of a dozen or so (most in their seventies and eighties). The rest of the time, other than the occasional wedding, funereal or coffee morning) the church stands open but unused. So what is to be done? Simon Jenkins, in his Guardian article here writes –
 
England’s biggest, most plentiful, most beautiful buildings are its churches. They are also its emptiest. There are some 16,000 churches in total, and every now and then their owner and janitor, the Church of England, utters a howl of pain. This month a church report points out that more than a quarter of churches have fewer than 20 worshippers on a Sunday – fewer than 10 in rural areas. Help, it cries, opening its mind (at last) to a future for local churches as everything from farmers’ markets to digital hubs, and even to naves as “champing” sites.
 
Every few years the church gets itself into a mess over how to use its churches. Like millions of people, I don’t go to church, but I do go to churches – 85% of the public visits a church every year. We regard them as the community’s ritual forum, its museum, its art gallery, its concert hall, its occasional retreat for peace, consolation and meditation. Many in the church view us as freeloaders (though I always leave money) and cannot see why they should give us such delight when their proper business is prayer, not heritage custody.
 
As long as parish churches are seen as shrines belonging to a tiny minority of the community, any hope of wider commitment is pie in the sky. Struggling local churches must be secularised, desanctified. They must be vested in an endowed local trust or parish council that literally owns them, so they become community assets, for whose upkeep local rates can be levied, as with public parks and gardens. There will be many spills along the way. But these buildings cannot be demolished or nationalised. There is simply no alternative.
 
In a nutshell then, our lovely little parish churches must embrace the wider community. They should become places of worship or meditation for people of all faiths as well as for those of none. Places where concerts are performed, exhibitions held, talks on all matters delivered. Most of all they should be places where all are made welcome and do not feel it necessary, like our elderly gentleman above, to feel excluded.
 
Happy Easter to all our readers.
 

Wade’s Causeway, North Yorkshire, circa 1995.
Notice at bottom left that there are four upright stones. These are unique in British Roman roads, and are thought to be there to stop the road slipping in the wet peat of winter.
©
Colin Coulson
 
For more on Wade’s Causeway see The Heritage Trust’s feature by Moss here, and the Wikipedia entry on the Causeway here.
  

St Andrew’s Church Coke House, Normanby, North Yorkshire, England

St Andrew’s Church, in the little village of Normanby in North Yorkshire, once had two coke-fired stoves burning in order to keep its congregation reasonably warm during those cold, north country winters of yesteryear. The coke fires in the church have long since gone but the church’s coke house still remains. Though in relatively good condition, this elegant little building needs some consolidation to its roadside foundations, as well as a new wooden door on its east side and a new wooden hatch on its west.

Deteriorating roadside foundations and wooden hatch

 

The northern façade of the Church of Yemrehanna Kristos. Seen here within the cave which houses it
Image credit Stephen Battle/World Monuments Fund

Martin Bailey, writing in The Art Newspaper, reports that a team of British conservators will help preserve Ethiopia’s oldest wall paintings. The paintings are in the twelfth century Church of Yemrehanna Kristos in Northern Ethiopia –

A project to conserve Ethiopia’s oldest wall paintings, which experts believe date to around 1100 or soon after, is due to begin this month. They are in the church of Yemrehanna Kristos, a full-sized building constructed inside a cave in the Lasta Mountains at an altitude of 2,700m. The cave is above a valley of juniper trees and, until recently, could only be reached by a day’s journey on foot or mule from the town of Lalibela, in northern Ethiopia. The church’s interior is so dark that international specialists did not note the paintings’ existence until the 1990s; the first published account was in 2001.

The London-based Ethiopian Heritage Fund, with support from the World Monuments Fund, is undertaking the project. The conservation team consists of two British specialists, Lisa Shekede and Stephen Rickerby; the latter describes the paintings as being in a “highly vulnerable and threatened condition”.

The initial investigation will include in-situ microscopy, along with ultra-violet and infra-red examinations. Paint samples will be tested, partly to determine the original pigments and media used and to identify added materials. There will be small-scale cleaning trials, to test which materials should be used. Monitoring sensors will be installed to record temperature and humidity changes. A separate team from the University of Cape Town will undertake a laser scan survey to create a three- dimensional data model of the church and cave, to map structural movement.

More here and here.

  

 
 
“They groan’d aloud on London Stone.” William Blake
Wren’s rebuilt St Swithin’s church in 1831, with the casing of London Stone prominent in the middle of the front wall. Engraving after Thomas H. Shepherd, 1831
Source Wikimedia Commons
 
 
Charlotte Higgins, Chief culture writer for The Guardian, reports 12 March on the proposed rehousing of the London Stone –
 
Roman milestone, druidic altar, Excalibur’s resting place? Mysterious stone surrounded by stories is to be restored and rehoused
 
Rarely, perhaps never, has so spectacular a web of myth been woven around so unprepossessing an object: a small slab of limestone that lurks behind a metal grille set into a derelict, partially burnt-out building on Cannon Street in the City of London, with only balled-up pieces of chewing gum and dust for company. London Stone has, in its time, been identified as a druidic altar for human sacrifice; a Roman milestone; the slab in which Arthur’s sword, Excalibur, was embedded; and part of the remains of the palace of the Roman governor of Britain.
 
One version has it that Brutus, the legendary founder of Britain, brought it from the sack of Troy. The saying goes that “so long as the stone of Brutus is safe, so long shall London flourish”. Now the City of London has taken a small step towards a more dignified future for the London Stone than its current lodging in the facade of the 1960s former Bank of China office – more recently a branch of Sportec and, latterly, a WH Smith [bookshop].
 
Planning permission has been granted for the demolition of the building and the erection of new premises on the site, to include a special raised plinth so that the artefact can be viewed by the public. During the building works, it is hoped that London Stone will be displayed in the Museum of London for about 20 months from late spring.
 
More here.
 
 
A little-known rock covered in Buddhist carvings in Sichuan Province, south-west China, is said to be all that remains of a temple complex
Image credit Newssc.org.
 
Chen Binglin, writing in the South China Morning Post, reports on the damage being done to the 1,000 year-old carvings of Buddhas in south-west China –
 
A 1,000-year-old giant boulder covered with carved images of the Buddha statues has been severely damaged due to government neglect in southwest China, according to the official news website of Sichuan province. Local officials say they did not protect the site because they could not find any writings on the rock to tell them when it was created, Newsssc.org reported.
 
 
Detail of the One Thousand Buddhas
Image credit Newssc.org.
 
The intricate carvings were created between the mid-Tang Dynasty, more than 1,000 years ago, to the Qing Dynasty, according to archaeologists. Some farmers took rocks with carvings from the site to build or decorate their houses, archaeologists said. The main cause of damage to the relic was vandalism, although serious weathering also played an important role due to the lack of protection.
 
More here.
 
Update on the clearance and re-exposure of the sunken ring stones at Craddock Moor stone circle…
 
Text and images © Roy Goutté.
 
Work fully commenced on the circle on the 8th October and to date after three full day sessions only the survey and Field Report remain to be completed.
 
We chose our days carefully with the weather in mind and to that end we were very successful. Prior to the work commencing, only 15 or 16 recumbent stones appear to have been recorded. We knew by spiking the areas between the wider gaps in the ring setting however that more existed but not how many exactly. Only revealing them would answer that question. By the time we had completed the clearance we had cleared/discovered/found remains of 23 stones in total (no broken pieces included). Only one ‘gap’ was devoid of any signs of a stone or its remains within the ring setting but could have been removed.
 
5 gaps had stone remains in them under the surface indicating that they had been broken up in situ and removed. Two of the surface stones remaining had been drilled and split and 2 completely new stones within the setting were discovered under the surface.
 
All were numbered and to the base of Stone (19) we discovered something of interest which will be revealed in the Field Report. We also discovered that Stone 19 is in fact still earth-fast and not recumbent as previously believed, the only stone still standing, albeit badly damaged!
 
On completion of the Survey and Field Report I will be back with the final update for The Heritage Trust, but for now a few photos showing the ‘before and after’ of a couple of cleared stones, 2 new stones discovered and the remains of a buried stone after destruction are shown
 
 
Stone 5 before clearance.
 
 
…and afterwards
 
   
Stone 7 before…
 
 
…and afterwards
 
 
Stone 15 before…
 
   
 …and afterwards
  
 
Remains of Stone 22
 
 
Stone 23 newly discovered
 

Craddock Moor stone circle to undergo a complete clearance and re-exposure of its buried stones where detected.

Text and images © Roy Goutté.

 

 

Living as I do on the eastern edge of Bodmin Moor in Cornwall I spend as much time as I can tramping about visiting everything it has to offer, which archaeology wise, is a great deal!

Quite often one comes across a site that has suffered at the hands of those that should know better or wandering livestock, or in fact the very land itself that it is built upon!

One such example is Craddock Moor stone circle (SX248771820), just a stone’s throw away from Cornwall’s iconic triple stone circles the Hurlers at Minions. Erected on peaty soil during, it is believed the Late Neolithic/Early Bronze-Age, it has slowly but surely been returning to Nature and is now a totally recumbent circle of stones due no doubt to a combination of that peaty soil and wandering livestock pushing them over or using them as rubbing stones. Also subjected to nearby quarrying activities and intensive peat workings it has not had an easy ride.

Many of the fallen uprights have totally succumbed to the peaty soil and are now lying buried whilst others are gradually becoming strangled and covered by the chain-mail type gorse, turf and other vegetation that proliferates on this part of Craddock Moor and extremely difficult to work your way through. (See main photo above).

This of course is a huge problem for those responsible for the upkeep of these circles and because of a shortage of funding, not something that can be attended to as regular as they would wish to.

This is where we can and should help out whenever possible. This is our heritage and if we want future generations to have the pleasure that we ourselves are having, then we should offer our services and ‘put something back’ in appreciation of what our great ancestors left behind for us to wonder at.

With this in mind I have been working quietly with our excellent Heritage at Risk officers and reporting back to them when I see damage being done to a site or the likes of a fence needing repairing or environmental problems during my tramping about over the moor. As many of the sites I visit are way off the beaten track I always carry a small hammer/nails/staples/saw in my rucksack to make emergency repairs then report it back on my return in case it needs further work.

This has been very much appreciated and a trust gained. Personally, it has led to me being invited to take part in archaeological excavations and surveys, something I thought I would never do, and recently, with a small team of equally dedicated friends, carry out a clearance of discovery at Louden stone circle.

The work we were trusted to do at Louden was very successful and appreciated and we were able to reveal far more about this Scheduled Monument than was previously known (see here).

I and the team have now been granted permission to carry out similar work at Craddock Moor circle and feel very privileged and thankful for the opportunity.

The approved plan is to firstly carefully remove all the turf/gorse/general growth off the now recumbent stones so that those above ground are clearly visible to the public who at the present time give up the will to live seeking the circle out! Once done, the ‘missing’ or buried stones that we have detected will be neatly exposed to their upper surface (not below) so that they can be recorded. If no more than an inch or two beneath the surface they will be left exposed, but if much deeper and a danger to livestock and walkers alike, will be re-covered on the completion of the work once a full survey has been carried out. The important thing is that we will then know far more about this circle than we previously had.

I have already photographically recorded the site prior to work commencing with digital stills and a video and yesterday (the 3rd October) made my first working visit in preparation and anticipation of our start next week (weather permitting).

Whilst I was there I just had to reveal a stone not fully seen for years. For me, that moment when an apparently shapeless stone just breaking the surface also sees the full light of day is rather magical as it turns from being ‘just a stone’ to a stone that was once selected by our ancestors some 4,000 years ago to fulfil a purpose that we may never get to fully understand!

From this…

 

To this!

As I mentioned earlier, the chain-mail type gorse/turf mix covering many of the stones is a devil to cut through and quite time consuming but well worth the effort if we can once again have something worthwhile to see and learn from. As they say… watch this space for updates…

In the meantime…

If you would like to get your hands dirty and join our small team during our work on the circle before winter really sets in you would be most welcome. Just leave your details on the Comments page and I will get back to you ASAP.

Just a word of warning though for the faint hearted. Before any work can be done we have a half-mile walk with our tools to get there… and back again, with no shelter if the weather turns foul on us, so our working days will be carefully selected!!

Roy Goutté.

Image credit The Times

We don’t often get involved with British political issues but when they sink to this level of gimmickry it really has hit rock bottom (pun intended) and something needs to be said. We refer to the Labour Party’s latest publicity stunt to win votes (election day in Britain is today) in the shape of an eight foot tall ‘megalith’ with six ‘promises’ from their party’s manifesto ‘engraved’ on its surface. Is the text actually engraved or has it been painted on? Or is it a transfer of some kind? If Labour wins the election however its leader Ed Miliband plans to erect the megalith in the garden of 10 Downing Street (assuming he’s able to get planning permission from Westminster City Council that is!).

The Urban Prehistorian sums up our own feelings on the Ed’stone gimmick perfectly when it writes –

Are we fooled by these megalithic metaphors of power and permanence? Do we accept that when a pledge is carved into rock by machine or chisel that it has more resonance and reliability than a promise spoken, a paper manifesto, a ministerial tweet? Would this infamous pre-referendum promise, printed in newspaper form just before the independence referendum in Scotland in September 2014, have really been any more trustworthy or powerful had it been carved on a tablet of stone?

No we are not fooled. Miliband’s promises are all very well and good but where is HERITAGE in all of this? In fact where is Heritage in any of the five or six main political party’s pledges? As a country we have not even ratified the Hague Convention to protect cultural property in time of war. Shame on our politicians for not doing so, and shame on the megalithic gimmickry this election campaign has sunk to.

 

The Trippet Stones is the name given to a stone circle set in a somewhat isolated and windswept part of Bodmin Moor, on Manor Common, Blisland, Cornwall. The circle is a Scheduled Monument (number 1928 in the Cornwall County Council Historic Environment Record) and is located at SX13127501.

Every now and again you witness something that totally astonishes you, and when that something is an action that goes totally against everything you hold dear, then it can often leave you both speechless and seething with anger inside.

We have all spoken out many times against the wanton damage, defacing and destruction that is all to often associated with stone circles, whether it be the more nationally known iconic ones such as Avebury and Stonehenge or those of lesser stature spread throughout the land. One of those lesser ones, although certainly iconic in Cornwall where it resides, are the Trippet Stones… a Scheduled Monument (see specifically section 28 in the link).

On the 5th of July 2013 this was the astonishing scene filmed at 2pm when, as the video shows, cattle were purposely driven across Manor Common causing them, on the whole, to enter and pass through the circle thus creating a situation where a Scheduled Monument was seriously put in danger.

Unbelievably, just one week earlier, Natural England seriously warned the Commoners about farming vehicles being driven through and too close to the circle. Although a vehicle didn’t enter the circle on this occasion but did get very close to it, this is surely the most extreme example yet as to why monuments such as the Trippet Stones need physical protection as a matter of great urgency as words appear to mean nothing. Today the Trippet Stones… next week?

Another part of the jigsaw comes to light

Following my day at King Arthur’s Hall on King Arthur’s Down on Bodmin Moor helping out with the clearance of gorse, I (extreme right above) returned a couple of weeks later to have a closer look at the stone ‘revetment’ that had made its presence known when a lower section of the inner east bank fell away. This is quite a breakthrough and possible pours water on the general archaeological belief that this monument is simply a medieval animal pound. I’ve never believed that and hopefully now this apparent revetment wall has been exposed it will encourage the powers that be to carry out a full excavation of the bank at least and a dating of the site which sadly in this day and age is still missing.

Here is the video I shot on my revisit showing the revealed stone walling and my personal thoughts on both it and the site in general. Apologies for the wind rush which accompanies the video in parts but filming anywhere on Bodmin Moor always carries the risk of this when you only have a basic camcorder with no external mic.

Roy Goutté

A guest feature by Roy Goutté.

King Arthur’s Hall viewed from the southern end of the western bank. Roughtor can be seen rising majestically in the background

On the 16th April I joined a working party from TCV (The Conservation Volunteers) of Cornwall  to clear some of the gorse off the banked enclosure known as King Arthur’s Hall on King Arthur’s Down, a part of Bodmin Moor. Always a fascinating place to visit, the day turned out to be far more exciting than I ever imagined! For a more descriptive article on King Athur’s Hall go here.

The TCV crew plan their strategy for the day with Cornwall Council Historic Environment Service archaeologist James Gossip to the extreme right explaining their brief

The volunteers remit was to remove the largest and most evasive gorse that was beginning to encroach onto the standing stones that line the interior of the enclosure from the banked area but not the plant life and James was there to advise and oversee the work. Visually it was the easterly bank that was suffering the most so that’s where work began. King Arthur’s Hall is a fascinating place and the only monument like it in the UK but it has never been dated and only lightly researched officially, but a site I would dearly love to know more about. Spending time working on its banks gave me this opportunity in a most unexpected way.

The guys I was working with were a great bunch and very friendly and worked really hard. It actually surprised me how quickly the very tightly packed gorse that inhabits Bodmin Moor was dealt with and how dry the ground surface on the bank was underneath it all considering all the rain we have been getting in this area. Knowing that adders frequent the moor it was something I was well aware of whilst working my way underneath the gorse because it acted as perfect cover for them, but luckily we never encountered any.

The area we dealt with first was so dense that it was covering the top of many of the remaining upright stones as well as many fallen and angulated ones and hiding the bank behind them like a blanket. Seeing the stones becoming slowly unveiled was like a magic moment to me as this eastern bank has in the main remained hidden from sight during the many visits I have made whilst researching. The gorse roots themselves are quite long so we were told to cut them at surface level and not to pull them out of the ground because you could damage the archaeology which lay beneath. Occasionally however, the long-armed cutters we were using didn’t do their job properly and jammed as we were pulling them away and did pull on the roots. This happened on one particular occasion as the lower level of the inner bank was reached at one point and due to the extra dryness of the soil here, a small ‘landslide’ took place. It was then that the unexpected appeared, because, as the earth fell away, it exposed something I’d never seen behind the uprights before… an apparent ‘walled’ area immediately behind the standing stones looking very much like a possible revetment to the bank.

Inner-face of the eastern bank at King Arthur’s Hall at a midway point along its length. Stones 1 & 2 are two of the main façade or upright standing stones associated with this enclosure

Stones 3, 4, 5 & 6 are what appear to be a series of horizontal ‘walling’ stones exposed when the loose bank fell away. These stones lie behind the façade stones and may be a form of original revetment to prevent the bank from encroaching against the main uprights. No further investigation or probing took place as this will be left until another day. To the best of my knowledge this stonework structure has never been noted before and it would be lovely to think that I may have been there on the day that it was first discovered. Whether or not it continues around the whole site is something we will just have to wait to find out as we were not allowed to investigate further, but it is a mouth-watering prospect. Having James on site to witness it was a real bonus as well particularly as it was his first visit. I’m keeping my fingers crossed that more investigative work will now be carried out leading to a greater understanding of exactly what we have on our hands here and a possible date to go with it. Discussion on-site was that it may have well have been used as a pound in more recent times, but why go to all the trouble of hauling stones around from wherever they came to keep animals in when it would have been far easier to just erect a timber stockade to the top of the banking. There is far more to this site than what has been generally accepted I personally believe and it ‘feels’ much older.

More open view of Stones 1 & 2 showing the stonework behind

An aerial view of Stone 2 showing the horizontal low-level ‘walling’ running behind it. The dark area on Stone 2 shows exactly how far the gorse and bank had extended to, thus blotting everything beneath it out

The eastern bank and façade stones prior to gorse removal. Once a continuous row of upright stones, many of them now lie buried or angulated. This photo was taken in May 2012

The eastern bank after clearance. A very rewarding days work carried out by TCV

The difference a day makes. A small bank collapse and the inner stonework reveals itself

 

A guest feature by Littlestone.

One of two sarsens at the entrance to Fryerning Lane on Ingatestone Highstreet, Ingatestone, Essex
©
The Heritage Trust

And the stones in the road shone like diamonds in the dust.
And then a voice called to us to make our way back home.

Mary Chapin Carpenter.

No, this isn’t about that stirring song, Stones In The Road, by Mary Chapin Carpenter (though it could be) on her 1994 album of the same name, but about the megaliths that lay scattered along our highways, byways, high streets and lanes which, depending on your point of view, can certainly be either, ‘A thousand points of light or shame’.

Two stones (above) in Ingatestone High Street, Essex, almost certainly once formed a stone circle but, sadly, are still there and still vulnerable to damage now as when this was first written. The stones in Ingatestone’s High Street are not the only examples of megaliths used as buffers, pushed onto verges or just left where they are, awaiting their fate to be damaged or deliberately broken up. William Stukeley’s 1724 Groundplot of Avebury shows no less than nine stones in the roads there, all now long gone but once part of the proud Avebury Henge.

Stone on Flowergate (road) in Whitby, north-east Yorkshire
©
The Heritage Trust

On Flowergate (road) in Whitby, north-east Yorkshire, there is a stone outside the Little Angel pub. It’s not clear that this is originally from a megalithic structure but, as British History Online records, “The monoliths which exist in the parish possibly mark ancient British interments.” so there is a possible connection between this stone and a megalithic site. British History Online again records that, “A diligence commenced in 1788 to run twice a week from the ‘Turk’s Head’ and ‘White Horse and Griffin’ at Whitby to York and another to Scarborough began in 1793. The mail-coach started in 1795 and ran three times a week. A Sunderland coach commenced in 1796. All the coaches ran from the Angel Inn.”* The stone now has steps cut into it and was perhaps used to assist passengers in and out of their carriage, or riders on and off their horses.

Stones on the verges outside The Church of St Barnabus at Alphamstone in Essex
©
The Heritage Trust

Turning south again there are stones on the verges outside The Church of St Barnabus at Alphamstone in Essex and outside the lichgate of The Church of St Mary with St Leonard, Broomfield also in Essex – both almost certainly pre-Christian sites.

Stones outside the lichgate of The Church of St Mary with St Leonard, Broomfield also in Essex
©
The Heritage Trust

The examples above of ‘stones in the road’ are just a few of perhaps many more scattered through the country – some with possibly intriguing histories. It’s been suggested, for example, that the stones in the little village of Berwick St James, Wiltshire may have originally been part of the Stonehenge complex  (see Dennis Price’s Inigo Jones’ lost Altar Stone from Stonehenge and somewhere called “St James” article.

 

The London Stone. Source Wikimedia. Image credit Lonpicman

But perhaps the most famous ‘stone in the road’ of them all is the London Stone in Cannon Street, east London. Both the stone, with its receptacle and iron grille, were designated a Grade II listed structure on 5 June 1972. It’s recorded that the, “London Stone was for many hundreds of years recognized as the symbolic authority and heart of the City of London. It was the place where deals were forged and oaths were sworn. It was also the point from which official proclamations were made.” Legend has it that, “So long as the stone of Brutus is safe, so long shall London flourish.” Let’s hope so, and as one of the longest surviving, and most respected ‘stones in the road’, this stone might, perhaps, have lent itself to the 2012 Olympic Games – for what better symbolizes the history and continuity of the City of London, and a place to swear the Olympic Oath, than this stone that lies at its very heart.

And the stones in the road leave a mark from whence they came.
A thousand points of light or shame.

Mary Chapin Carpenter

* From: ‘Parishes: Whitby’, A History of the County of York North Riding: Volume 2 (1923), pp. 506-528.

 

 

Conservation of the Forty Martyrs of Sebaste fresco in Famagusta, Cyprus. Produced, directed, and narrated by Dan Frodsham
©
Dan Frodsham

The World Monuments Fund reports on the conservation of the Forty Martyrs of Sebaste fresco in Famagusta, Cyprus –

For five hundred years, an exquisite Renaissance fresco depicting the Forty Martyrs of Sebaste has remained hidden, forgotten, and neglected on the wall of a fourteenth-century church in Famagusta, Cyprus. The Forty charts the painstaking work of rescuing the fresco from obscurity and ruin, as part of a pioneering project that puts heritage above politics to begin, after decades of neglect, the work of saving Famagusta’s forgotten frescos.

Full feature here.

 

Kite Aerial Photograph by Bill Blake Heritage Documentation: all rights reserved, used with permission. Note path on the left which leads from Bartlow Church 

In our inaugural article, almost a year ago, we featured an ancient Romano-British site (the Bartlow Burial Mounds, formerly in Essex but after boundary changes now in Cambridgeshire) that has suffered from three of the hazards highlighted in our header – ie Bartlow is a site which has fallen foul (relatively recently) from development, neglect and vandalism. According to the Cambridgeshire Rural Society the Bartlow Burial Mounds (also known as the Bartlow Hills) “…was originally the largest group of Roman barrows in northern Europe and includes the highest burial mound in Britain.”
 
The noticeboard at the foot of one of the mounds records that, “The seven mounds covered extraordinary rich burials containing a collection of wonderful artistic objects, the best found in Britain. Mound IV, the largest, is 45ft high and 144ft in diameter. Mound II is still visible as a low rise, I is just discernable, and III is totally destroyed.” The noticeboard goes on to say that, “In 1815 Busick Harwood “excavated” VI to provide work for the unemployed… They began at the apex and digging down at great labour to the cist despoiled it of its contents, which were distributed and no account of them taken”.
 
To celebrate our first year, we’re pleased to be able to present these two stunning photographs, taken by Bill Blake with a camera attached to a kite, of the Bartlow Burial Mounds in autumn sunlight. More photos by Bill of the Mounds can be found here 
 

Kite Aerial Photograph by Bill Blake Heritage Documentation: all rights reserved, used with permission. Note path left of centre which leads from Bartlow Church

 

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