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The Payvand Iran News reports on the Persepolis Ruins that –
 
Founded by Darius I in 518 B.C., Persepolis was the capital of the Achaemenid Empire. It was built on an immense half-artificial, half-natural terrace, where the king of kings created an impressive palace complex inspired by Mesopotamian models. The importance and quality of the monumental ruins make it a unique archaeological site.
 
This historic and grand site deserves much attention and protection, but it has been ignored by the officials. And so over the years nature, thieves and vandals have left their mark on Persepolis causing significant damage…
 
More here.
 
 
 
The Burnt City of Sistan-Baluchestan in Iran
 
PressTV reports on the 23 July that –
 
The National Museum of Iran is slated to host the 11th edition of the country’s International Archaeology Conference in the capital city of Tehran. The event will review archaeological projects conducted during the last Persian year (March 2011 – March 2012), CHTN reported. A total of 170 archaeological projects were conducted in that period, 18 of which will be presented by participants during this year’s conference.
 

Organized by the Archaeological Research Center of Iran’s Cultural Heritage, Handicrafts and Tourism Organization, the conference will also host excavation team leaders of joint projects conducted by Iranian and international archaeologists. Reports of seven projects will be presented giving information about projects conducted by Iranian archaeologists in collaboration with Italian, French, German and Japanese teams. One of the joint projects was conducted by Iranian and Italian archaeologists in the southern Iranian province of Fars, where they unearthed remains of the oldest Islamic palace ever found in the country.

As a country with rich historical and cultural background, Iran is famous for its countless ancient and archeological sites, once playing host to some of the world’s greatest civilizations. Persepolis, Susa, Pasargadae, the Burnt City, Sialk Mound, Bishapur and Bisotoun are only a few of the many sites scattered all across the country. The country has also yielded many significant archaeological finds such as the world’s oldest animated picture [see below] and the earliest known caraway which were all found in the Burnt City, known as Iran’s largest prehistoric site located in the south-eastern province of Sistan-Baluchestan.

 
Full article here.
 
 

Reconstructed animation of a wild goat (Capra aegagrus) on a bowl discovered in a grave at the 5,200 year-old Burnt City in Iran

8 March 2008 CAIS News reports that –

The Cultural Heritage, Tourism and Handicrafts Organization (CHTHO) announced on Monday that it has recently completed the production of a documentary about the ancient Iranian earthenware bowl bearing the world’s oldest example of animation. Directed by Mohsen Ramezani, the 11-minute film gives viewers an introduction to the bowl, which was discovered in a grave at the 5200-year-old Burnt City by an Italian archaeological team in late 1970s. The artefact bears five images depicting a wild goat jumping up to eat the leaves of a tree, which the members of the team at that time had not recognised the relationship between the pictures.

Ancient Iranian earthenware bowl bearing possibly the world’s oldest example of animation

Several years later, Iranian archaeologist Dr Mansur Sadjadi, who became later appointed as the new director of the archaeological team working at the Burnt City discovered that the pictures formed a related series.

The ‘rolled-out’ image of a wild goat (Capra aegagrus) on the bowl

The image is a simple depiction of a tree and wild-goat (Capra aegagrus) also known as ‘Persian desert Ibex’, and since it is an indigenous animal to the region, it would naturally appear in the iconography of the Burnt City. The wild goat motif can be seen on Iranian pottery dating back to the 4th millennium BCE, as well as jewellery pieces especially among Cassite tribes of ancient Luristan. However, the oldest wild goat representation in Iran was discovered in Negaran Valley in Sardast region, 37 kilometers from Nahok village near Saravan back in 1999. The engraved painting of wild goat is part of an important collection of lithoglyphs dating back to 8000 BCE. However, wild goat representation with a tree is associated with Murkum, a mother goddess who was worshipped by all the Indo-Iranian women of the Haramosh valley in modern Pakistan, which culturally had closer ties with Indus and subsequently the Burnt City civilisations, than Mesopotamia, which could have influenced the ancient potter who made this unique piece.

Full article here. See also our earlier feature on Megalithic manga, cartoons and graphic novels: Part I below.

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