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Hokusai Cinema Trailer. 4 June 2017
Don’t miss the world première of British Museum presents Hokusai at your local cinema on 4 June 2017. This ground-breaking feature documentary is the first British film to be made about the celebrated Japanese artist Katsushika Hokusai.
Co-produced with NHK (Japan Broadcasting Corporation), British Museum presents: Hokusai will be introduced by Andrew Graham-Dixon and feature artists David Hockney, Grayson Perry, Rebecca Salter and Maggi Hambling along with leading scholars of the day.
More here.
Marking World Heritage Day today we are focusing on the ancient Japanese art of picture conservation and mounting known as Hyōgu.
1923 woodblock print after the earliest known image of a hyōgushi priest and his assistant Original by the 14th century Japanese painter Fujiwara Takakane
Private collection Great Britain
Hyōgu and the hyōgushi
The art of restoring and mounting works of art on paper and silk has been practiced in the Far East for nearly two millennia. Originating first in China at the beginning of the Christian era, conservation techniques and materials then spread to Japan where they developed into the refined art that we now know as Hyōgu.
The word Hyōgu means a picture or piece of calligraphy lined with paper and mounted as a hanging scroll. The words hyōgushi, hyōguya and kyōji refer to the mounter/conservators of Japan who not only repair and mount hanging scrolls but also conserve other forms of pictorial art such as the handscroll, screens, sliding doors, murals etc.
The hyōgushi of today is required to undergo a long and strict period of training. During this time he or she learns not only the skills which will enable him to conserve scrolls, screens etc, but also the knowledge and sensitivity required to present them in their correct context. He must know the appropriate style of mount used for any subject and be aware, for example, of the meanings associated with the patterned silks used with such mounts. He or she must also know how and where an object will be used as this will often dictate the materials and techniques employed in its conservation.
Like the Western bookbinder, the hyōgushi is responsible for objects which must be both functional and aesthetically pleasing. The objects he is conserving are made to be opened and closed, rolled and unrolled and, apart from the demands of conservation and aesthetics, the hyōgushi must always bear in mind that they are to be constantly handled and not merely viewed.
University of Birmingham
Entrepreneurship in Cultural Heritage Workshop
Organised by the Ironbridge International Institute for Cultural Heritage, University of Birmingham. In association with the West Midlands Museum Development.
Location: The Old Ikon Gallery, Fazeley Studios, Birmingham, B5 5SE England.
2 February 2017.
Over recent years the heritage sector has been hit by cumulative cut-backs in public sector funding, reductions in visitor spend and increasing competition for visitors. At the same time, a multitude of new opportunities continue to emerge relating to technological innovation, new audiences and communication networks and new management approaches. In the context of this developing landscape for the heritage sector, this workshop explores the increasing need for museums and heritage organisations to become ever more entrepreneurial in their approach in order to increase their resilience to the changing environment and also to identify ways and means to build profile, audiences, income and opportunities to communicate the heritage at their heart.
Through presentations by speakers who, in different ways, are involved with innovative approaches to the heritage and museums sector and through discussion, this workshop aims to identify some of the more entrepreneurial management practices of the heritage sector and to explore challenges and opportunities for future entrepreneurial actions.
Key Themes:
· Working towards resilience
· Partner working outside of the heritage sector
· The role of the creative industries
· Going global
· Building audiences and income
Confirmed speakers include:
* Dr Chris Ferguson (Auckland Castle)
* Traci Dix-Williams (Ironbridge Gorge Museum Trust)
* Colin Chester-Head of Buying, The National Gallery
* Tony Trehy (Director, Bury Art Museum)
* Harvey Edgington (National Trust)
* Elliot Goodger- Birmingham Museums Trust Enterprise Committee
Pre-booking is essential.
To book your place go here.
Early-bird rate of £45 ( by 13 Jan 2017).
Full delegate rate of £55 (by 27 January 2017).
Contact: Jamie Davies, Teaching Fellow in Cultural Heritage
j.g.davies@bham.ac.uk mailto:j.g.davies@bham.ac.uk
0121 414 5616
Staff and volunteers from Accredited Museums or those officially Working towards Accreditation should reserve their place via the events page of the West Midlands Museum Development website: mdwm.org.uk or contact wmmd@ironbridge.org.uk mailto:wmmd@ironbridge.org.uk
Leskernick North & South Stone Circles and Stone Row clearance, including the re-exposure of buried ring stones by the TimeSeekers Clearance Group Team Members (Part 2 of 3 reports). Text and images © Roy Goutté.
Leskernick North & South Stone Circles and Stone Row clearance, including the re-exposure of buried ring stones by the TimeSeekers Clearance Group Team Members (Part 1 of 3 reports). Text and images © Roy Goutté.
Text and images © Roy Goutté.
The above photo of the southern end of the South Circle taken in April 2016
On the summit of Leskernick Hill looking westward toward Brown Willy and Roughtor
Leskernick Stone Circles and Stone Row Clearance: Press release by Roy Goutté. Images © Roy Goutté.
I am delighted to announce to The Heritage Trust that, after an application was made to Natural England by myself, consent has been granted to excavate and clear the recumbent and buried standing stones of the north and south stone circles to the base of the Bronze-Age settlement at Leskernick Hill, near Altarnun, Cornwall. Consent has also been granted to carry out the same procedure on the stone row running south-west to north-east between the two circles. The work is to be carried out by a small team of experienced Bodmin Moor clearance volunteers (TimeSeekers) under the periodic watchful eye of the area’s Historic England Heritage at Risk Officer.
The Methodology involved:
As the two stone circles and stone row beneath the southern slopes of Leskernick Hill are at serious risk of losing their identity now that 95% of the standing stones have fallen and returning to nature, the aim of the clearance would be to bring the hidden parts of the circles and stone row ‘back to life’ by sympathetically removing the vegetation and turf ‘carpet’ off the stones without damage taking place and without any soil being removed below the exposed top surfaces. The removed material is to be suitably relocated locally.
Procedure:
. Record and photograph the existing visible stones and stone mounds to be cleared prior to work commencing on both the circles and stone row. Video recording to also take place.
. Carefully cut through the turf/vegetation just beyond the exterior edge of the covered/partly covered stones.
. Carefully and without damage to the stone surfaces, peel back the turf/vegetation and reposition in previously sought out local areas requiring repair/improvement. Clean and wash stones off with clean water only.
. Buried ring stones and those in the stone row detected by probing but not identified by exterior mounding of the turf, to be exposed, recorded and photographed, but, if considered to be too deep to be left exposed and a danger to both stock and the public alike, to be re-covered.
. On completion of all work, leave the three cleared areas in a tidy condition and provide a field report and survey of the works carried out together with photographs and video links.
We feel privileged as amateur archaeologists to have been granted this permission on such a prestigious and important site as Leskernick. To stand amongst and look down from the proliferation of round houses on the southern side of Leskernick Hill to the landscape beneath where surely ceremonial and ritualistic activities took place in sight of so many ancient local landmarks, makes the hairs on the back of your neck stand up. Our great ancestors may no longer be there in person but I wonder if they ever really left, as judging by the sheer number of small earth-fast tri-stones dotted about it may also be their last resting place. To be given the opportunity to once again bring the circles and stone row ‘back to life’ and in the public gaze is why we do this. Our heritage means everything and we should do everything to keep it that way!
Two of the three only remaining standing stones and the recumbent central pillar of the North Circle. The remaining stones lie buried beneath the surface
One of the many round-house remains on Leskernick Hill
A last resting place?
Roy Goutté
North Hill
Cornwall