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French President François Hollande officially launches the Alliance for the Protection of Heritage in Conflict Areas on the 20 March 2017 at the Louvre in Paris
Image credit Élysée
A new global fund for endangered heritage sites has been launched by France and the United Arab Emirates. Writing in The Art Newspaper, Vincent Noce, reports that –
A new global fund to protect cultural heritage in war zones, spearheaded by France and the United Arab Emirates, has so far raised $75m of a planned $100m. The fund was officially launched [yesterday], 20 March, at the Louvre in Paris by the French President François Hollande and the vice premier minister of the Emirates, Sheikh Saif Bin Zayed Al Nahyan.
The ancient site of Palmyra, parts of which have now been destroyed by Daesh vandals Reuters/Mohamed Aza
“Details are still emerging of the scale of destruction on the heritage site of Palmyra in Syria. Now work is beginning by archaeologists at Oxford and Harvard, determined to create a digital record of the ancient sites that remain. They are planning to get thousands of 3D cameras into Syria and Iraq that can be used by people on the ground to take 3D images of the countries’ cultural heritage.
“This work is part of a growing trend to create heritage archives that can be used to support young people learning about world cultures. Online photo banks of heritage artefacts are growing. In the UK, there are quite a few heritage–based visual resources that can be used in the classroom, such as The British Museum’s project “teaching history with 100 objects” and the Wessex Archaeology collection.
“Recently, special attention has been placed on 3D heritage visualisations, especially in the emerging area of 3D printing for education. The start-up project Museofabber aims to 3D-print museum collections and use them in the classrooms, inviting teachers to send in requests for objects to be printed. Other 3D printing initiatives include 3D miniatures made by the Virtual Curation Laboratory and 3D printed bones at the University of Western Florida.”
Transportation of Lebanese cedar. A relief, circa 713–716bce, from the north wall of the main court of King Sargon II’s palace at Dur Sharrukin in Assyria (present-day Khorsabad in Iraq)
Department of Oriental Antiquities, Louvre Museum, Paris
Image credit Marie-Lan Nguyen. Source Wikimedia Commons
European and US museums that preserve and display Assyrian artefacts from the ancient royal cities under attack by Islamic State (IS) are working to help their Iraqi colleagues prepare for a day when the sites are liberated. A coalition of the willing exists but it remains to be seen whether institutions will co-ordinate their efforts.
Jonathan Tubb, the keeper of the Middle East department at the British Museum in London, urges organisations to do more than express outrage. “We need to get over the threshold of despair – we can do something positive and constructive by preparing for the time when effective government control is restored,” he says.
While the sites in northern Iraq are no-go areas, the British Museum plans to work with colleagues from other parts of Iraq to train a “task force” of professionals in rescue archaeology and emergency heritage management in London. They will return, accompanied by British Museum curators, equipped to draw up plans of action for sites including Nimrud and Nineveh.
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