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We received the following (edited for clarity) last week from Dr. Mustafa Elhawat, Head of the Department of Classical Archaeology, University of Elmergheb, Al-khums in Libya. If any of our readers can assist Dr. Mustafa Elhawat please contact him at the email address below.
Dear The Heritage Trust
The political situation and the war in Libya has several complications. The problem lies in the risk to archaeological sites and buildings by militant Islamists, and exploration of these sites by thieves and vandals. There is also the illegal trade in stolen artefacts from some sites and cemeteries which are then sold on the internet and smuggled out of the country. Also, there are numerous monuments in Libya that need to be archived as they are not registered at present. There are two sections in Libya – East and West – but staff there are inexperienced and are in need of training.
We are doing as much as possible and are campaigning to raise awareness among the Libyan population. We are also setting up workshops and seminars but we need to acquire more skills, set up courses etc because archaeological sites in Libya are currently in crisis and at severe risk.
Cultural heritage in Libya belongs to all of humanity and the duty of everyone is to protect and preserve it. So we extend our hands to you, in the international community, to work with us together in order to preserve these treasures and this heritage. I hope there will be close cooperation between us all which will provide an appropriate solution to this crisis.
Dr. Mustafa Elhawat
Head of the Department of Classical Archaeology. Faculty of Archaeology and Tourism. (Near Leptis Magna). University of Elmergheb, Al-khums. Libya. Member of the Commission for the Conservation of Libyan Cultural Heritage. email email@example.com
St Andrew’s Church Coke House, Normanby, North Yorkshire, England
St Andrew’s Church, in the little village of Normanby in North Yorkshire, once had two coke-fired stoves burning in order to keep its congregation reasonably warm during those cold, north country winters of yesteryear. The coke fires in the church have long since gone but the church’s coke house still remains. Though in relatively good condition, this elegant little building needs some consolidation to its roadside foundations, as well as a new wooden door on its east side and a new wooden hatch on its west.
Deteriorating roadside foundations and wooden hatch
The Taisho Photographer’s House by Hamish Campbell
Hidden in an old and collapsing home, an incredible discovery sheds light on the lives of a Japanese family during Japan’s Taishō Period (1912–1926). As this remarkable family home, and its contents, slowly disintegrates and disappears Australian photographer Hamish Campbell captures what still remains.
The Heritage Trust strongly urges the appropriate Japanese authorities to take steps to protect and preserve this unique and invaluable house and its contents for future generations.
Nexus – Genkan I
A superimposed image showing the condition of the Taisho Photographer’s House today, with a Taisho family bride entering the house’s genkan (hallway)
Image credit Hamish Campbell
Re-creating classic paintings in 3D that may be touched, and now made freely available worldwide. The Unseen Art project – a new way to experience art with touch, for the blind and for everyone
Have you ever been touched by art? Have you had an emotional reaction while viewing a painting, have you gotten a different point of view, or learned something about the world or yourself? Have you ever touched the work of a great artist? Have you ever wanted to get up close and personal, and experience the art with your own hands?
You can experience art in a new way, and open art to others for the first time. There are many people in the world who have heard of classical artworks their whole lives but are unable to see them. The project is involving people from all over the world to recreate classical art We are creating a new opportunity for people in the world to experience art. The project is involving people from all over the world to recreate classical art paintings in 3D so that they may be touched and felt, both in exhibitions and in people’s homes. 3D models of the paintings are free and printable anywhere in the world where there’s access to a 3D printer.
More on the The Unseen Art project here.
An elaborate Anglo-Saxon brooch that is more than 1,000 years old may be exported if a UK buyer is not found who will pay at least £8,000 for it. The gilt bronze brooch, from the late 8th century, is one of just 12 such ornaments in existence, and it stands out from the rest for the skill and creativity employed in the creation of its unique complex leaf pattern, which could represent the Christian tree of life.
An illustration dating from the same period of the Virgin Mary in the Book of Kells shows her wearing a similar brooch, suggesting they were worn by high-status women. Experts said the brooch is of outstanding significance for the study of Anglo-Saxon art and material culture, but it could be exported unless a UK buyer matches the £8,460 asking price.
Full article here.
Changes to the Aboriginal Heritage Act saw protesters at the Australian State Parliament last year
Image credit and © ABC News: Katrin Long
Laura Gartry, writing for ABC (Australian Broadcasting Corporation), reports that –
A proposed new West Australian heritage bill highlights a “disturbing racial differentiation” between the level of protection offered between non-Indigenous and Aboriginal sites, archaeologists say. It comes after the State Government released for public comment the draft Heritage Bill 2015, aimed at modernising heritage regulation.
The draft bill oversees the protection of all WA heritage sites except Aboriginal sites of significance, which come under the Aboriginal Heritage Act (AHA), itself also the subject of proposed changes by the Government. The draft Heritage Bill 2015 has been welcomed by the Australian Archaeological Association (AAA), the peak national body for the profession. But spokesman Professor Ben Smith from the University of Western Australia said the discrepancies and contradictions between the two proposed sets of changes were “untenable”.
“There is a perhaps unintentional but nonetheless very disturbing racial differentiation between the two types of heritage,” Professor Smith said. He noted how in the new Heritage Bill, the decision to add or remove a site will remain with the minister for heritage, while in revisions to the Aboriginal Heritage Act the decision will be left with a senior public servant.
“So here we have a very interesting contradiction where a site of state significance is Aboriginal, it will be a civil servant that decides whether it goes on [or off] the register. If the site is non-Aboriginal — that is settler, colonial — it is the minister that decides … the minister is the highest authority possible,” Professor Smith said.
“We have watering down of the Aboriginal Heritage Act whereas we have continued strength of non-Aboriginal preservation.”
“We seem to want to protect white fella heritage, better than we want to protect black fella heritage” adds AACAI WA Chairperson Phil Czerwinski.
Full article here. See also our earlier features on Australian heritage issues by keying in Australia in the search box above.
The Cotton MS. Augustus II. 106 of the Magna Carta. One of only four surviving exemplifications of the 1215 text Source Wikimedia Commons
The Magna Carta: “The greatest constitutional document of all times; the foundation of the freedom of the individual against the arbitrary authority of the despot.”