You are currently browsing the category archive for the ‘Ancient monuments’ category.
French President François Hollande officially launches the Alliance for the Protection of Heritage in Conflict Areas on the 20 March 2017 at the Louvre in Paris
Image credit Élysée
A new global fund for endangered heritage sites has been launched by France and the United Arab Emirates. Writing in The Art Newspaper, Vincent Noce, reports that –
A new global fund to protect cultural heritage in war zones, spearheaded by France and the United Arab Emirates, has so far raised $75m of a planned $100m. The fund was officially launched [yesterday], 20 March, at the Louvre in Paris by the French President François Hollande and the vice premier minister of the Emirates, Sheikh Saif Bin Zayed Al Nahyan.
Trevethy Quoit, Cornwall, by Charles Knight (circa 1845)
At the beginning of November the [Cornwall Heritage] Trust were informed that the field in which Trethevy Quoit is located was for sale. While the quoit itself was gifted to the Government in the 1930s, the field was in separate ownership and a potential buyer was keen to use it for grazing horses. The Trust was most concerned about this as some years ago there had been many problems with the public accessing the quoit because of grazing horses.
In consultation with the Government Agencies, Historic England and English Heritage, it was decided that Cornwall Heritage Trust should bid to acquire the field thus protecting this magnificent monument. The Trust are indebted to David Attwell, the Trustee that manages the East Cornwall sites, who successfully negotiated the purchase as well as a grant from Historic England to help pay for the land.
More here. And for more of our features on Trevethy Quoit type Trevethy Quoit in the Search Box above.
Twilight at Stonehenge (circa 1840). Watercolour by William Turner of Oxford
Image credit Wikimedia Commons
A guest feature by Littlestone.
The Rudston Monolith
To quote Wikipedia, “The Rudston Monolith at over 7.6 metres (25 ft) is the tallest megalith (standing stone) in the United Kingdom. It is situated in the churchyard in the village of Rudston (grid reference TA098678) in the East Riding of Yorkshire.”
So, to mark this year’s St Valentine’s Day, Moss and I decided to make the 30 mile drive over from where we live in North Yorkshire to Rudston village to see for ourselves the ‘real thing’. Nothing quite prepares you for this ‘real thing’. Photos of the monolith we’d seen before but first sight, and first touch, of this towering Neolithic edifice left us both speechless. If there’s ever a stone that puts its neighbouring church into a shadow this is it. And the fact that it’s stood there for some 4,000 years makes it even more awe-inspiring. As ever, the similarity with other subsumed (Christianised) sites in Britain, seems the same. The Rudson Monolith stands close to a water source. A Roman villa once stood close by and there are Roman tiles in the church walls. There are also the remains of a Roman sarcophagus in the graveyard.
Outlier stone and the remains of a Roman sarcophagus behind it
Googling ‘Rudston Monolith’ will throw up all sorts of info but what intrigued me most, being actually there on site, was the smaller outlier stone in one corner of the graveyard. The stone is of the same composition as the monolith itself and evidently was once situated close to it. Could it be the missing top of the Rudsone Monolith? Did it fall away naturally or was it cut off because it offended past norms of acceptability? Who knows, but here’s an interesting comparison from Brittany in France.
On the summit of Leskernick Hill looking westward toward Brown Willy and Roughtor
Leskernick Stone Circles and Stone Row Clearance: Press release by Roy Goutté. Images © Roy Goutté.
I am delighted to announce to The Heritage Trust that, after an application was made to Natural England by myself, consent has been granted to excavate and clear the recumbent and buried standing stones of the north and south stone circles to the base of the Bronze-Age settlement at Leskernick Hill, near Altarnun, Cornwall. Consent has also been granted to carry out the same procedure on the stone row running south-west to north-east between the two circles. The work is to be carried out by a small team of experienced Bodmin Moor clearance volunteers (TimeSeekers) under the periodic watchful eye of the area’s Historic England Heritage at Risk Officer.
The Methodology involved:
As the two stone circles and stone row beneath the southern slopes of Leskernick Hill are at serious risk of losing their identity now that 95% of the standing stones have fallen and returning to nature, the aim of the clearance would be to bring the hidden parts of the circles and stone row ‘back to life’ by sympathetically removing the vegetation and turf ‘carpet’ off the stones without damage taking place and without any soil being removed below the exposed top surfaces. The removed material is to be suitably relocated locally.
. Record and photograph the existing visible stones and stone mounds to be cleared prior to work commencing on both the circles and stone row. Video recording to also take place.
. Carefully cut through the turf/vegetation just beyond the exterior edge of the covered/partly covered stones.
. Carefully and without damage to the stone surfaces, peel back the turf/vegetation and reposition in previously sought out local areas requiring repair/improvement. Clean and wash stones off with clean water only.
. Buried ring stones and those in the stone row detected by probing but not identified by exterior mounding of the turf, to be exposed, recorded and photographed, but, if considered to be too deep to be left exposed and a danger to both stock and the public alike, to be re-covered.
. On completion of all work, leave the three cleared areas in a tidy condition and provide a field report and survey of the works carried out together with photographs and video links.
We feel privileged as amateur archaeologists to have been granted this permission on such a prestigious and important site as Leskernick. To stand amongst and look down from the proliferation of round houses on the southern side of Leskernick Hill to the landscape beneath where surely ceremonial and ritualistic activities took place in sight of so many ancient local landmarks, makes the hairs on the back of your neck stand up. Our great ancestors may no longer be there in person but I wonder if they ever really left, as judging by the sheer number of small earth-fast tri-stones dotted about it may also be their last resting place. To be given the opportunity to once again bring the circles and stone row ‘back to life’ and in the public gaze is why we do this. Our heritage means everything and we should do everything to keep it that way!
Two of the three only remaining standing stones and the recumbent central pillar of the North Circle. The remaining stones lie buried beneath the surface
One of the many round-house remains on Leskernick Hill
A last resting place?
The northern façade of the Church of Yemrehanna Kristos. Seen here within the cave which houses it
Image credit Stephen Battle/World Monuments Fund
Martin Bailey, writing in The Art Newspaper, reports that a team of British conservators will help preserve Ethiopia’s oldest wall paintings. The paintings are in the twelfth century Church of Yemrehanna Kristos in Northern Ethiopia –
A project to conserve Ethiopia’s oldest wall paintings, which experts believe date to around 1100 or soon after, is due to begin this month. They are in the church of Yemrehanna Kristos, a full-sized building constructed inside a cave in the Lasta Mountains at an altitude of 2,700m. The cave is above a valley of juniper trees and, until recently, could only be reached by a day’s journey on foot or mule from the town of Lalibela, in northern Ethiopia. The church’s interior is so dark that international specialists did not note the paintings’ existence until the 1990s; the first published account was in 2001.
The London-based Ethiopian Heritage Fund, with support from the World Monuments Fund, is undertaking the project. The conservation team consists of two British specialists, Lisa Shekede and Stephen Rickerby; the latter describes the paintings as being in a “highly vulnerable and threatened condition”.
The initial investigation will include in-situ microscopy, along with ultra-violet and infra-red examinations. Paint samples will be tested, partly to determine the original pigments and media used and to identify added materials. There will be small-scale cleaning trials, to test which materials should be used. Monitoring sensors will be installed to record temperature and humidity changes. A separate team from the University of Cape Town will undertake a laser scan survey to create a three- dimensional data model of the church and cave, to map structural movement.