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Trevethy Quoit, Cornwall, by Charles Knight (circa 1845)
At the beginning of November the [Cornwall Heritage] Trust were informed that the field in which Trethevy Quoit is located was for sale. While the quoit itself was gifted to the Government in the 1930s, the field was in separate ownership and a potential buyer was keen to use it for grazing horses. The Trust was most concerned about this as some years ago there had been many problems with the public accessing the quoit because of grazing horses.
In consultation with the Government Agencies, Historic England and English Heritage, it was decided that Cornwall Heritage Trust should bid to acquire the field thus protecting this magnificent monument. The Trust are indebted to David Attwell, the Trustee that manages the East Cornwall sites, who successfully negotiated the purchase as well as a grant from Historic England to help pay for the land.
More here. And for more of our features on Trevethy Quoit type Trevethy Quoit in the Search Box above.
An 1880 photograph showing the Alexandrian Obelisk (later to be known as Cleopatra’s Needle) being made ready for shipment from Egypt to the United States. The Obelisk was formally erected in New York’s Central Park in 1881
Cleopatra’s Needle is the popular name for each of three Ancient Egyptian obelisks re-erected in London, Paris, and New York City during the nineteenth century. The obelisks in London and New York are a pair, and the one in Paris is also part of a pair originally from a different site in Luxor, where its twin remains. Although all three needles are genuine Ancient Egyptian obelisks, their shared nickname is a misnomer, as they have no connection with Queen Cleopatra VII of Egypt, and were already over a thousand years old in her lifetime. The London and New York “needles” were originally made during the reign of 18th Dynasty Thutmose III. The Paris “needle” dates to the reign of 19th Dynasty Ramesses II and was the first to be moved and re-erected as well as the first to acquire the nickname, “L’aiguille de Cléopâtre” in French.
The [Central Park] stone had stood in the clear dry Egyptian desert air for nearly 3000 years and had undergone little weathering. In a little more than a century in the climate of New York City, pollution and acid rain have heavily pitted its surfaces. In 2010, Dr. Zahi Hawass, sent an open letter to the president of the Central Park Conservancy and the Mayor of New York City insisting on improved conservation efforts. If they are not able to properly care for the obelisk, he has threatened to “take the necessary steps to bring this precious artefact home and save it from ruin.”
Source the Wikimedia entry on Cleopatra’s Needle.
Coins dating from 286–293ce from the Frome Hoard. The coins depict the usurper Roman emperor Carausius
A new exhibition now running at the British Museum focuses on the practice of hoarding in prehistoric and Roman Britain –
People have been placing metalwork and valuable objects in the ground and in water since the Bronze Age (c. 2200–800 BC). These prehistoric hoards are widely accepted as having been deposited as part of ritual practices. Later hoards were traditionally seen as a response to invasion threats and economic upheaval – riches buried in the ground to be retrieved at a later date. The 2010 discovery of a huge Roman coin hoard in Frome in Somerset raised many questions about this traditional interpretation, suggesting that ritual practices also played a part in the burial of Roman hoards.
This display showcases some recent discoveries of hoards reported through the Treasure Act and studied at the British Museum. It begins with the large metalwork deposits of the Bronze and Iron Ages such as the Salisbury hoard and weapons found in the River Thames at Broadness.
The exhibition will run until 22 May 2016 and can be found in Room 69a of the Museum. Admission is free. More here.
An elaborate Anglo-Saxon brooch that is more than 1,000 years old may be exported if a UK buyer is not found who will pay at least £8,000 for it. The gilt bronze brooch, from the late 8th century, is one of just 12 such ornaments in existence, and it stands out from the rest for the skill and creativity employed in the creation of its unique complex leaf pattern, which could represent the Christian tree of life.
An illustration dating from the same period of the Virgin Mary in the Book of Kells shows her wearing a similar brooch, suggesting they were worn by high-status women. Experts said the brooch is of outstanding significance for the study of Anglo-Saxon art and material culture, but it could be exported unless a UK buyer matches the £8,460 asking price.
Full article here.