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An Egyptian craftsman weaving a mat on a floor loom
Mohamed Badry Kamel Basuny, writing for UNESCO, reports on the Intangible Heritage of Egyptian mat-making –
Mat, as a traditional craft, is considered a local craft dating back to ancient Egyptian era. The local people had been developed this innovative production “Mats” to face the common problem of humidity and insects. There are numerous models and forms to Egyptian mats, which are displayed in Torino Museum, Italy, that was used in ancient Egyptian rural community. This craft is needed a group of material and tools such as reeds and grasses especially el-Summar herbs (Juncus), and flax to weave strongly these reeds together. Unfortunately, the craft of mats doesn’t be well-known and popular like the old periods. Now, it is known in few Egyptian governorates such as el-Qaliubiya, el-Sharkeya, Kafr El-Sheikh, Qena, Assiut, el-Monoufia. (Egyptian Archives of Folk Life and Folk Traditions (EAFLFT), 2013).
Detail of an Egyptian floor loom
Full article here.
Standing stone on the North York Moors
A Dream of Solstice
Qual e’ colui che somniando vede,
che dopo ‘l sogno la passione impressa
rimane, e l’altro a la mente non riede,
cotal son io…
Dante, Paradiso, Canto XXXIII
‘Like somebody who sees things when he’s dreaming
And after the dream lives with the aftermath
Of what he felt, no other trace remaining,
So I live now’, for what I saw departs
And is almost lost, although a distilled sweetness
Still drops from it into my inner heart.
It is the same with snow the sun releases,
The same as when in wind, the hurried leaves
Swirl round your ankles and the shaking hedges
That had flopped their catkin cuff-lace and green sleeves
Are sleet-whipped bare. Dawn light began stealing
Through the cold universe to County Meath,
Over weirs where the Boyne water, fulgent, darkling,
Turns its thick axle, over rick-sized stones
Millennia deep in their own unmoving
And unmoved alignment. And now the planet turns
Earth brow and templed earth, the crowd grows still
In the wired-off precinct of the burial mounds,
Flight 104 from New York audible
As it descends on schedule into Dublin,
Boyne Valley Centre Car Park already full,
Waiting for seedling light on roof and windscreen.
And as in illo tempore people marked
The king’s gold dagger when he plunged it in
To the hilt in unsown ground, to start the work
Of the world again, to speed the plough
And plant the riddled grain, we watch through murk
And overboiling cloud for the milted glow
Of sunrise, for an eastern dazzle
To send first light like share-shine in a furrow
Steadily deeper, farther available,
Creeping along the floor of the passage grave
To backstone and capstone, holding its candle
Under the rock-piled roof and the loam above.
The new British Archaeology has a great mix of stuff, with its usual features, reviews, news, the interview (Taryn Nixon), Bill Tidy’s cartoon and so on. And we have a new column, from the great archaeological photographer, Mick Sharp, who will be writing in every edition about visiting sites with his cameras. I’m really proud of the wide range of places and topics, and of all the contributors who have brought so much to this issue.
The front cover features a wooden Anglo-Saxon coffin – one of over 90 preserved in an early Christian cemetery, as never seen before. From London comes the surprise discovery of a Roman fort, which helps explain why the city is where it is.
We ask what happened to all the missing dead from prehistoric Britain (giving me an opportunity to bring out some of my old Kodachromes). How did people in Scotland over 4,000 years…
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A guest feature by The Sarsen Slumberer
An aboriginal youth of the indigenous Tsou people of Taiwan (pre 1945)
China’s recent little rattle-throwing-out-of-the-pram fitty over Taiwan’s president Tsai Ing-wen’s telephone call to President-elect Donald Trump is yet another example of China’s big bully agenda towards its neighbours. China claims that Taiwan is part of China. What nonsense. China has no more of a claim to Taiwan than it has to Tibet. And, lest it be forgotten, the Chinese only started settling in Taiwan in the late 17th century. To claim Taiwan as ‘theirs’ is just another smoke and mirrors land-grab by a big bully nation. If Taiwan belongs to anyone it belongs to the Austronesian peoples who first settled there at least 15,000 years ago. The native Austronesian peoples of Taiwan still number around 530,000. Are their voices, cultures and heritage heard? Hardly ever. Big game politics take centre stage but, like the native peoples of America, Australia, New Zealand and elsewhere around the world those voices, small though they are, should and must be listened to.
Heritage is not just about monuments and artefacts from the ground (important though they are as you so rightly highlight on your pages here) it’s also about languages and crafts, food, ways of dressing, and a different way of looking at the world. Should we kowtow to China because it’s in our financial interests. I don’t think so. Taiwan is a functioning democracy where free speech is encouraged. President Tsai of Taiwan is the first woman leader in Asia who isn’t the daughter or wife of a previous leader. China on the other hand is a failing dictatorial system in the grip of a corrupt few.
As Fox News recently, and so accurately reported, “China and the Washington foreign policy establishment thought they could tell President-elect Donald Trump whom he can and cannot speak with on the phone. They thought wrong.” Let’s hope our own politicians and people of influence here in Britain have the same courage to stand up to bullying regimes wherever they may be.
See also The Sarsen Slumberer’s earlier feature Common sense and common courtesy.
University of Birmingham
Entrepreneurship in Cultural Heritage Workshop
Organised by the Ironbridge International Institute for Cultural Heritage, University of Birmingham. In association with the West Midlands Museum Development.
Location: The Old Ikon Gallery, Fazeley Studios, Birmingham, B5 5SE England.
2 February 2017.
Over recent years the heritage sector has been hit by cumulative cut-backs in public sector funding, reductions in visitor spend and increasing competition for visitors. At the same time, a multitude of new opportunities continue to emerge relating to technological innovation, new audiences and communication networks and new management approaches. In the context of this developing landscape for the heritage sector, this workshop explores the increasing need for museums and heritage organisations to become ever more entrepreneurial in their approach in order to increase their resilience to the changing environment and also to identify ways and means to build profile, audiences, income and opportunities to communicate the heritage at their heart.
Through presentations by speakers who, in different ways, are involved with innovative approaches to the heritage and museums sector and through discussion, this workshop aims to identify some of the more entrepreneurial management practices of the heritage sector and to explore challenges and opportunities for future entrepreneurial actions.
· Working towards resilience
· Partner working outside of the heritage sector
· The role of the creative industries
· Going global
· Building audiences and income
Confirmed speakers include:
* Dr Chris Ferguson (Auckland Castle)
* Traci Dix-Williams (Ironbridge Gorge Museum Trust)
* Colin Chester-Head of Buying, The National Gallery
* Tony Trehy (Director, Bury Art Museum)
* Harvey Edgington (National Trust)
* Elliot Goodger- Birmingham Museums Trust Enterprise Committee
Pre-booking is essential.
To book your place go here.
Early-bird rate of £45 ( by 13 Jan 2017).
Full delegate rate of £55 (by 27 January 2017).
Contact: Jamie Davies, Teaching Fellow in Cultural Heritage
0121 414 5616
Staff and volunteers from Accredited Museums or those officially Working towards Accreditation should reserve their place via the events page of the West Midlands Museum Development website: mdwm.org.uk or contact email@example.com mailto:firstname.lastname@example.org
London streets are lined with colourful shops, clamouring for our attention. Many are of considerable age, and have survived for our enjoyment only through careful maintenance by generations of shopkeepers.
Kathryn Morrison, Head of Historic Places Investigation, selects eight shopfronts that can be appreciated by anyone strolling along the pavements of London, and offer a glimpse into the city’s rich history as one of the world’s most exciting shopping centres. Presented chronologically, these shopfronts show how our shopping streets have changed over the centuries.
No.56 Artillery Lane in Spitalfields will be unknown to many seasoned London shoppers. It lies far from the West End, in a warren of small streets and passages that evoke Dickensian London despite the proximity of Liverpool Street Station. Now an art exhibition centre, this building was probably erected in the 1720s for a Huguenot silk merchant. Around 1756…
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